The reason we decided to do this was because the way people consume music has changed so dramatically in recent years. It was a profoundly rewarding and liberating way to release our music. GS: So at the start of 2020, right before the pandemic crippled the global economy, we decided that we were going to convert a room in our house into a mini studio, and spend our year writing, recording and releasing a song every month (with a video) and this would eventually become our third album. It was a hell of a challenge but looking back it was one of the best decisions we’ve ever made. You’d already released “Die Young”, but what made you decide that this was the way you wanted to make and release music? You first announced back in February of last year that you’d be releasing a new single each month.
We then started 2019 with a fresh outlook and feeling inspired to start a new album cycle.
I think we took about three months off to decompress, which was lovely. We needed to give ourselves a chance to soak up the creative sponge, so to speak – enjoy some of life’s experiences. The Watching the Sky album release and subsequent tour in 2018 was a massive undertaking, and it’s all just so fast paced that once you finally hit the ground back home, you definitely need to give yourself a little time away from the band and the music to stop your head from spinning. GS: I think we definitely needed some time to clear our heads. Once everything had wrapped up with Watching the Sky, what was the initial plan? Were you aiming to get right back into new music, or were you wanting to decompress and attack album number three with some clear heads? Over the last two and a bit years since we started recording this album, we’ve had a Eurovision competition, some vocal surgery, a songwriting trip to Sweden, a trip to Nashville, LA, and NYC, we’ve played on the main runway of the Gold Coast airport, we’ve performed the AFL Grand Final and released 15 singles! To say we’re excited to finally be at this point of releasing the album would be an understatement. GS: Thanks so much! It has been quite the effort. It’s been a rather long journey from your last album to here, so it stands to reason you must be feeling incredibly excited to finally get it out there? With Kaleidoscope Eyes officially released into the world tomorrow, we spoke to George about the path to this new album, and all the highs and lows in between.įirstly, congratulations on the new album.
You are a kaleidoscope song 2018 professional#
Not only were there professional highlights – including submitting a song for Eurovision – Australia Decides, and widespread global touring – but there were some personal lowlights – including an uncertainty over the band’s future following a throat and vocal chord injury for George Sheppard.īut despite these obstacles the group were forced to endure, they’ve come out the other end with one of their most euphoric and anthemic records to date, with Kaleidoscope Eyes not only serving as an example of their musical skills, but of their resilience and desire to overcome. The follow-up to 2018’s chart-topping Watching the Sky, the preceding years had been nothing short of gruelling for the familial band. Just weeks later though, the events of 2020 changed the gameplan significantly, resulting in more than an ample amount of uncertainty, while their release plans gave Sheppard something to focus on.Īs the music continued to arrive, and Sheppard found themselves taking a longer break away from the live stage than they had planned, it soon became clear that what we were hearing was the lead-up to the band’s long-awaited third album, Kaleidoscope Eyes.
Musically, Kaleidoscope incorporates electronic beats through the verses and the hook, while the chorus is sung over an atmospheric, piano structure.By February, the group had embarked on a massively ambitious project which would see them record and release a new song each month. The song runs at a moderately fast tempo of 128 beats per minute, and is set at a 4/4 time signature.
In February 2013, after the massive leakage that included the whole album Utopia -only excluding I Was Made for Loving You, which remains unleaked as of late 2018-, Kaleidoscope was scrapped from the album along with Speed Limit, Supergirl and Last Breath, while the previously released singles Army of Love and Zero Gravity were also removed from the final track listing. The song leaked in December 2012, along with a lot of songs, including Last Breath, Chemical, Love Me or Leave Me and Here and Now. Benny Benassi later made a remix that was published officially as a Benassi song featuring Kerli on Ultra Music's YouTube channel on July 25, 2014. SeventyEight Kaleidoscope is a song written by Svante Halldin, Kerli, and Jakob Hazell for Kerli's second studio album Utopia, which later became an extended play.
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